Saltwater developed from my relationship with the coastal landscape near where I grew up. I have always been drawn to the idea of saltwater as something restorative: a place we return to for release, immersion and healing.
But the coastline I knew was never entirely benign. It was also a site of danger. Stingers and sharks inhabit the water, and many stretches of coast are effectively unswimmable because of powerful currents. The same landscape that invites you towards it can also repel you.
The works explore this tension between attraction and threat. Figures appear immersed in, suspended above or moving through watery environments that shift between the real and imagined. The ocean becomes both a physical landscape and a psychological space: somewhere to retreat, transform and recover, but also somewhere in which control can easily be lost.
Rather than resolving these opposing qualities, I am interested in allowing them to coexist. Beauty and danger, vulnerability and resilience, surrender and self-preservation sit alongside one another.
In Saltwater, the sea is never simply a backdrop. It is an active presence - seductive, unpredictable and indifferent, and the figures exist in an uncertain relationship with it.

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